The point is the point, Boys will be boys, The noise: Serpentine, Like around me it coils. I ask my father, what he knows... His axe to grind is my axe to grind, Consequence, why my ass is fine. But who dies I'll never choose, I'll never have the chance to try. The noise, deafening, and wide. Like it surrounds me, And I planned to hide. As the waves they overtake me, I realize everyone has to die, Grandfather's axe was never mine, And nothing comes after, A modern dance to time.
Dramatically, he captures folk, What does it mean? Who knows? More grenadine with alchohol, Sweetness in a leather coat, Bitterness in a paper cup.
Ballet shoes, champagne flutes, Game room hue suede blue, Cocktails offstage too. Maybe I'll leave the wave pool, Establish new trade routes, Maybe not, who knows? Bottles for now though. Broadway too, Wet roots, wrestling boots. Scale teeth need scraping through. But, The veiled truth is you wade, Life is a swamp, They lie, Blue in the face, Tell you it's not that way. Broadway, grey hues, Costumed plays, Or he borrows like hooped snakes. Babe, that ain't for you, It's not for anyone with a brain.
The things he knows...
Are alike a hand that speaks in failure:
Painful flails, an esophagus.
While his mouth speaks toward disarmament,
and victims speak of the night.
So all hail the king, his rings and his might.
All the things that he owns,
Including the people as items, options
and things he derides.
So swing a knife, like a sword.
All hail the flailing arm for what it's worth,
Including the people he knows as thoughtforms and cites.
Cayenne pepper, nose.
A world alight.
A world, delight.
A wordly delight.
A world, a light,
Circles dance in the sky,
darkness seen with your eyes.
Alongside carmine, red and feathers:
prose, things they call wise
'I just wish, with all the time I have left', As she squeezes her fists, laments, Her eyes see ideas she never said, Sadness bookends her existence. She knows what she is, and lies, She thinks she knows what's best, But she is losing her desire for life. I just wish, like all the cows she loves, She would fight and fawn over me for once. The person she sees staring into the sky, It seems she likes, but she rarely sees herself. Mostly other men, me, and occasionally, marquee lights. She thinks it's for the best, I'm sure. The person she reveals herself to be, As the ocean fares, she holds against, My love can only take so many hits, She says, as she sets the table, For two people, but never herself. She says in the end, it's for the best. What happened to the things she liked? She thinks to herself in a flight, Reminded of a dream, desires, Meets someone else and tries. Time is a god of fire, however, So it takes and destroys her, Inside first, then outside. What she does with her life, It's none of my concern, Fans in the crowd fight amongst themselves, Not with players they revere and beheld. I think I know what's best, but in the end, I knew very little of what I said, Even less of the outcomes she had. So, who am I, to wish?
He coughs, feels the black ink on his palm If he cast speech, a last kiss on her lips, All his faults and all her resolve. He calls it god but his heart does not, He has simple, economic thoughts, of films, of myths, he knows little of.
ceaseless, i wait here in my hall of stone. my continuous, meditative, monotonous vigil only broken by the sound of a camera shutter or the scratch of charcoal over rough paper. my silence never ends, since my marble knees do not know the hour when they will straighten and carry me away, nor my spine knows when to crack and unfurl my body tall, higher than the skylight under which i am displayed, nor my dainty dress knows when to settle itself more comfortably over my shoulders. so here i remain, forever more statue than woman. one evening, out of the blue twilight the night guard saunters in, bold and butch and self-assured (her footfalls give her away) without warning, she leans in close, shining her beam in my placid face, and i cannot blink away the yellow light (and never would, just to glimpse once more upon her lovely face) hastily she whispers in my ear, instantly transforming my marble to rose quartz and slowly then, she kisses me, soft and earnest and fleeting and suddenly i am more woman than statue.
Amounts, they screamed, amounts, Seemingly all they knows about. Amounts, a mouth, beatings. Even just, if by the brow, Cow steps on the mouse, Like a man steps on a mount. Echoes, couch downstairs, This is my house, GET OUT! Narrowing in the mind, cowers Like an arrows path forward, Like time, straight, downward. Dance, doubt, awkward bow, Applause amounts, doubt, Can a mouse hear the sound? Leers, liquors, in various amounts. In the end, a mouse needs cheese. A cow needs many more things, Succumbs to meandering about the fence, Outside of this, they find no peaceful crowd. People of the ground, fearing clouds, fearing now, Cowards that fear when you speak and shout, Cows teaching which they know nothing about, Why should a mouse throw spears at the clouds? Zeus and Venus, Why would they fear if I step on a mound, kneel, Bow or two step around it? Are they cowards like me?
Be selective, He professes, In a legal setting, Weak, pathetic, The rich and famous, Who knows these things? Like beetles wrestling, Where is a decent ending, By either spelling, Life only glass compelling.
No matter where, more savage men, They know end, Lord knows them, Nothing but storm and unrest. No pants, unkempt, But at least yourself. One could fly to a moon, To talk flags in the end.
im literally dying, dying, dying, dying i just wanna give up crying, crying, crying. it’s cold in my room it looks like a tomb, it’s cold in the house all the people are out hiding from each other not like those ideal lovers we’re cold without a warm hearted spouse. you’re shouting those words i wish ive never heard everybody is hurt and left in the dirt. for who is it good and why is it useful that we don talk the way we used to? im literally dying, dying, dying, dying i just wanna give up crying, crying, crying. but i just cant, cuz im in tears, i have many fears we wont talk for years. i wanna speed up the time to help healing the scares. it’s such a fucking shame, tomorrow’s valentine’s day we should be having fun but i guess it’s over now cuz we dont love the same oh what a shame. it’s shit being alone so darken your clothes and shut up your thoughts it’ll be better in months but who really knows? who really knows?
Imagine your achievements dreamed, To swim upstream, one's valor full, Salmon like calendar, won tomorrow. River colander rusted and massive, Is this my love, and forever after, To be strained by dirty captives? I magic your feelings careening, To sink a damn, one's cup too full. Salt mounds like ashen piles, Too often borrowed by a saline cult. Maybe my faults found by asking, To speak upfront, one never knows, Maybe fault-lines, foundations cracking. To be a tan, army man, evil being, May be taught lies fundamentally ethic, Baby breaking, tied to shouting rhetoric.
She writes fallacies of nobody, Highlights for her hair color, Callously she laughs with glee, Ire beauty and young bravery. Screaming in doorways sobriety, I like to think she knows me not. Picking flowers from her yard, Policy alike her start, mother, Discovering what to be, rather, Honesty like her heart, lover, It beats nobody clever. Until. Forgive my desires: two stepping. Your teacup leaking, I laugh still. Sieve steeping, a living actress, And to live needing? is this banter? Definition in short order, leaving. For give my empires to Stephen, An idea more Corey than Cancer. A ballet dancer, but a thick boy, Holes among left awood with joy, Man ideal for lawyers and cantors, For one who teaches is forgotten, Cotton tarnished in an oily oil. Royalty royal and parched to often, His voice softens, off his head, For I too seek enjoyment, spread.
My belly white, tattoo skin black. World external floating my inlet facts. Arms extended, hurled outward to any man, At least stolen by chance; At last romance. Of snakebites, stated minds, Or nothing. The badger writes. Science though he knows nothing of, Only fighting and dénouemen love, Fakery and the image source he knows, Yet facts alas in the seeds he sews, Spits on the dirt, who, He walks upon with shoes.
Swords filed down to soot, Roses thrown at their feet. No proof of their misdeeds, Long Forgoing unlikely heroes, The Earth rolls on it's shape, Divides by zero then escapes, Sequence complete, Even if it seems short of an era. Could I program a world so full hate? Only more divisive, with my heart to feint on; Should I find a brush to paint, I could not, Nor would I make clay forms, And force them to mate, As Satan does. Who more lovingly than I, Is timed less? I would laugh at the sheer thought. Cakes of dirt and mud pies, Fed to a princess, For the world outside she knows not of, What a austere world to take from.
Decay and the rifle alone. Censored by Gods as cold winter snow passes men stuck in glop as it blows. Who knows? What the fuck does a soul call a home? Accepting ideals without gloves being shown. Refuting belief but still knowing that something transcends all of time, space, math, and the know-how. Gloating but feeling in pain for lost souls turned wayward, corrupt, or depraved by the fallout. Take it in, as it turns out, by talking in strides with the crowds. Softly speak glop when it counts. Slowly speak up, and never speak out.
You have to swear Swear to love loving me, This trailer will last forever, We must have a story-book ending. With a happy end game. I swear to never go away. I swear to never put aside, The things I'm gonna say. To the stagehand, I will never confide. Use your eyes only to look at me. Use your piss-soaked, whore mouth, Only to kiss my whore lips. We are branches of the 21st century. You can laugh only if you laugh at me. You can cry only if you cry for me. Forget what you're condemned to be. Can't you see? You filthy cur, You always were, You always will be. You used to Willoughby so nice I should see a doctor, Who could keep trains from hitting me. But A jealous woman would suffice, She makes it easy to see coffers. She knows I'll defrost to keep pace. Opinion will change, but at steep cost. It also may take a while, So smile for the time being. I'm feeling poor in the stomach, My head is spinning and I feel like a fool. I think it's about time I change the rules.
" This next piece of writing, contains strong sexual content material and graphic language. Many people find it both harrowing and disturbing. It depicts and catalogues a series of true-life events. The names have been changed to protect the innocent, of which there is one; the laws of libel prevent my naming and shaming the guilty; of which there are many." * Reader discretion is MOST STRONGLY advised - As it may easily offend. For this I make no apologies. Events like these are happening HOURLY all over the world at this moment in time, and society as a whole SHOULD be doing more to prevent such misery " ........................................ " IT CAN'T HAPPEN HERE, .....CAN IT?..." It's Sunday, She's staying at dad's flat tonight. She adores him; With the trust that is naturally instilled In a child. Dave, her father, Plays cards with his friends; While she watches, smiling. The pot is short; It's his call. He must make amends. Forty pounds is the bid. With a knowing nod, Colin folds his hand; And taking hers, Leads through the door To she knows where. The now empty bedroom That she sometimes has to share. Shush - don't make a noise; Your stifled cries, Will frighten the toys. Who sitting in silence, Can only watch. As Colin slowly unzips his trousers, And loosens his belt another notch. Her favourite doll, alone in the corner, Draped across the wooden chair; Can but bear silent witness To the saddening pain She experiences there. Next day, She is driven to school; By her dad. In a tatty Volvo. Be-spotted with rust coloured Splodges of primer paint. A stark anachronism Of Swedish sexual liberalism The grubbiness of the grey, Mirroring the semen-soiled nightdress; Of the night before. The paint spots, Ghostly echoes Of dried blood stains Splattered on the white fabric. Heralding her lost innocence; That she would need to wash out Later in the day. When she finally returned To the living hell That served as home. He pulls in at the pavement Saying yesterday was fun And that they should do it more often. He tells her to take care of herself. Sick joke, what? But no-body's laughing anyway. Deprived of decency By her father In that he doesn't even open the door. She rises from the well-worn seat And gets herself out Just like countless Whores before. In some final bizarre sexual gesture As he slowly drives away He also discards the now empty Crumpled, finished cigarette packet Aimlessly through the window Into the uncaring street. It in its turn, would be picked up By some scavenger hard up On his or her luck Anxious to discover If it held any small delight. And on discovering not, it would Be consigned as worthless rubbish And be discarded yet again To a life on the streets. Until eventually, battered and crushed By countless uncompromising souls It would cease to be recognisable For what it once was. Circles within circles. Such is the life we lead. Four friends, sit Sharing girlish giggles. Talking tampons and towels. Discovering the inward Functioning of females For the first time. Smiles, over sharing Secrets of sexuality With their mothers. But she's not laughing. Sitting in the classroom She is longing to tell, someone, About the happenings Of the previous night. To be able to unload All that crushing fear; That is building up Within her frightened frame. Afraid to go home, She hangs around after class Anxious to explain her reasons. But no-one is listening. Nor can they read The pleading in her scared eyes. So she goes home alone, again. Sitting watching television, A break from the drudgery Of endless days Doing household chores. Fear strikes her heart As she hears the key Entering the outside door. Because the washing has taken so long And about it, she cannot tell; The dust she hasn't cleaned From the TV Only causes her mother again to yell. Her anger quickly turns to rage; Followed closely by a beating, And another verbal tirade. Then follows the shouting And the slapping. The angry name calling Infers that someone is a whore. Leading to her being pushed downstairs And landing on the hall floor. She pushes Amy into the cellar cupboard, Then callously locks the door. Leaving Amy, cowering in huddled fear, Upon the dark, coldest floor. Later, in her room, Curled up, tearful, Trying desperately to block out the pain. Lies listening to her sad sobbing. She closes her eyes. Escaping sleep is not easy in coming; But further along the hallway, Someone else is. Urgently calling for Amy Beckons her to her mother's bed. There, between thrashing thighs, And deep moaning sighs, Amy is forced to give her mother Sexual 'head'. Coming home, To the usually empty house, She cannot help but notice The smart car Parked outside. Putting her key In the door, As she has done So many, many times before; She is met by Geoff, The new man, in her mother's life. On the surface He seems very nice. Picnics of strawberries, wine And chocolate ice. And even washing up, Afterwards. School sports day comes, Giving her the chance To exercise her rights As a child; To youthful fun. Sack race successes, Loud accolades. Hiding the depths of depravity, That lies dormant. Buried deep within. It starts with a present, At bedtime. " Put it on, and come and show us how it looks." Simple games, Amongst the adult friends. Pictures are taken. Childish at first, It soon turns nasty; Leading to lewdness and lechery. Removing Geoff's trousers and pants, While her mother looks on; And laughs. Then starts the painful ordeal Of nightly rape. And the utterances of the threatening lie That if she ever dares to tell someone It would surely cause her to die, After a time, She can bear no more Of Geoff's disgusting behaviour. Goes to her father's workplace Hoping on hope That he'll prove to be her saviour. She tells him all That's been going on; And could she come to live with him, Please? Fraught with anger, Fired by fear; He goes and gives Geoff A beating with a garden spade. In his frustration at failing To protect his daughter From this pair of human animals With their filthy habits so degrade. Then he storms out, Leaving Amy to receive Yet another beating From her mother. That leads her to being locked In the cupboard Once again. The broken shard Salvaged from the shattered Kitchen window By which her father had entered Proves to be the key To successful self mutilation To which Amy administers Readily. When the time comes To leave her old school The teacher's reports proclaim That Amy is both clever and wise. But they all still Just sit and listen While her mother Continues to tell The same pack of lies. How Amy sits reading Quietly, in her room, For much of the time. And how she's always Out playing with her friend; But that is untrue From beginning to end. The teacher says Amy could do With really coming out of her shell. Hopes that she'll enjoy her new school; And with that, she wishes her well. Sitting with her new found friends, Thinking that this place, Could indeed be really cool. Then one says, Someone is trying to greet her, From a van. Parked outside the school. She peers across the open courtyard. At her father, who's come to meet her. Full of reasons, Why he hasn't been more often. Excuses that money has been So short lately; Sometimes he hasn't eaten. Now he's come to take her out, About the true reason for his motives, There still exists more Than a little doubt. Having bribed her, With a Big Mac meal, With Coke and a Cadbury's Curly Whirly, He apologises that he has no more sweets; But if only he had more money, He could afford to buy her Lots of treats. Then the unsubtle suggestion, That she could really help Daddy, Just by working the nearby streets. Standing on a dim Lamp-lit street; In her denim jacket, And her flowery Short length skirt; Wearing virginal white gym socks, with matching plimsolls. Her long hair , shining, Looking very much her age. Having only turned thirteen, But for a little while. People, from which she Should get only love; Blatantly exploiting her sexual genes. Although she cannot spell Paedophile; She is painfully aware of what it means. " For a wank, charge'em twenty five quid, If they want a blow-job, charge them thirty" Practising that will corrupt her mind; Into believing love and sex, Is always something That is sordid and dirty. A sexperienced competitor, In these matters, Gives her, and her dad; What amounts to a friendly warning. This particular spot, Is her pitch. And her pimp Will not be so tame; So her father, Just moves on with her, To somewhere else. In his dubious quest It would seem he has no shame; With his repeated attempts, To get ' on the game'. The local lorry park, Proves a likely playground; For the sort of games, He has in mind. Providing a service, For all kinds Of men. The young, the old, and the lonely. Not the actual full sex, though: But just your blow and hand-jobs only. Making sure that the clients, Come in style; Being very sure to use a condom, All the while. He does a deal, Just for a full blow-job; " You know how, don't you, just go and suck his prick; It'll be all be over in a minute!" But it doesn't just take that quick. Squatting, She gives a blow-job To an unknown, Standing man. While her poncing pimp Of a dad, Sits smiling, In his grubby little van. Suck, suck, sucking, On a dirty, crusted, Foul-smelling prick, That's making her feel So, so sick. Wondering why it is That when you Want them to, they can never come Really quick. And when it's finally finished; She finds the smell of sweat and semen, Has left her feeling Really sick. Dave, buys her silence, With a fiver. Then he takes her back home; Double quick. Dusti Rodes (2009) POSTSRIPT TO ' IT CAN'T HAPPEN HERE. .....CAN IT? * " Children have the right to be listened to. The messages that they give us are often painful and disturbing, and challenge our capabilities to actually hear what they are in fact saying and take them seriously. Our conditioned instinct is to recoil from what we are hearing and deny the reality of what is being said. The act of sexual abuse of a child involves a fundamental betrayal of trust, and an abuse of power, which has devastating consequences for the child. Undermining the basic requirements of a child for relationships built on trust, that are both dependable and loving. This gives rise to the premise that children not only have to be heard but also need to be healed from the trauma of such experiences. The child's right to be respected as an individual person should be unquestionable; but it is a long way from being generally accepted within our society."