Seeking refreshment, Dire wolves present, Ready to gnaw. Gnu society is buried along. String pulled taught, Ropes around throats, Strings play onward, Despite what they're taught. An uproar of laughter occurs, Society of horse-eaters, glue-makers, wearing fresh wigs. Pigs remaining adorned in powder, Guns pointed, son anointed, Appointed afterward as God, Society of brow-beaters, As if word meant nothing either, Society of Shakespearean clods.
Upon the throne, no one will falter, No deeper prose, nor dragon exalted. Asia proceeds onward in laughter, For the west has loans now defaulted. Conceding mass fortune to misspent wealth, Preferring concert above eating well, Discoursing doctors say priority on health, Referring to a disease that fell, Not preventative well being. Nor representative of the well read, For mass appeal is just seeing. The senses infinite within a small thread, Only known to those rolling with laughter, Callused so thick they survive the rapture.
Everyone is so depressed, Though no one likes a downer, As such casts frowns upon the Frowner, And thus becoming frowns themselves, Lusting after laughter, Mad and frown obsessed, Coat the world in spite of love or hate, Diethyl Ether, If I entertain the hatred one more hour, I may get a bullet in my chest. If I entertain my love for higher power, I may still get a bullet in my chest. Though no one likes a downer, I'll admit that I'm depressed, I wish I could be smart and know it all, But I'll confess; I'm not, and I don't. Thus I walk unto another test, Often times my thoughts are downers, This is why I acquiesce.
I traverse the dark of the caverns: All I find is bottoms and laughter. Palaced me within a circular pattern, I find no gains, And no means to make with. Yet I find no pain, So is it easier to make wishes? Than to actually fulfill them? Is it easier to scale a building? Or easier to commit this build? Maybe it's even easier to stand idly by. Planes fly into buildings, make six billion.
My magnum opus produced at my alma mater, The laughter is too great to justify release after.
Founded in response to clamor, A missive written by cowards. I found it couldn't be read aloud, Without the sound of laughter. I also found it dismissive, Critical issues are clear. An attack on my character, Expound from the rear. I respond with kisses, The critical issue is context. So it appears, they fear progress. They fear a progression of issues, So it appears, they clearly want this.
Those with arsenic bedfellows, exposed. Due to the TV show they gained exposure. Closure to a chapter of chaos and rapture. Posturing to a new hope, classically, In hope that he masters poseur culture²; How dramatically he captures folk, Beards sip wine in¹ balcony of their brother. It's the framework of laughter; Silently I laugh as they excuse them both³, Rendering their will less valid, excusing oath; Adopting a framework of passtimes, Instead of finding, lying among those guilty, Chastising the filthy for soiled torn clothing. Discarding carelessly the heart of an oak, Instead of seeding they favour blind hope; Sans man, would the trees still grow? Forlorn will animals flourish? The hands of man conceive the future, though, Often he lacks the means to nourish. The man will scream of price of grain, though, Often he just lacks the means for omnipotence. Footnotes: 1. latin for 'on the' 2. i.e. hipsters 3. unnecessary explanations given
My God that dumb-wrecked bitch; The meaning of a hoe; She tries perforce for her forget; Her thrice exclaiming "no". Her lips are chapped and rapid; Face smooth and mar'ble; Her mind a vapid wasteland; Of her words unknow'ble. Her bod' a sun-soaked beach; By fear of under toe; She tries perforce for my forget; But hers I can not, no. And thus some minutes pass, And thus some minutes pass thereafter, Pissing in my pants, Dying forth in crippling laughter.
A Week Away A week away A cottage in the Cotswolds Solitary single socks All in a line On parade Hands like hooks Feet that throb Barms and breezes In Blackpool Fortunes found and told Tramlines Scarring the seascape Soaring seagulls Hawk-like hands Flaying feet Seagulls that screech Mayhem in Mablethorpe Being Stumped in Boston As to which way to go Kiss me quick Squeeze me slow hats For edible orifices Wonka's Willies Trams travelling Towards the Tower And down the Golden Mile From Fleetwood North and South Piers Sandcastles Big and small Towards Town Postcard pictures Picture postcards Pencil drawings By computer The Mere at Marton Limousines And lycra-clad mirth-makers Mobster's metal machine Made from a Mini National Savings & Investments building Blocking the breeze And the light Standing in it's shadow Comfortable caravans Laughter from Leighton Jokes from Jamie Sparkling grape juice All the way from Grimsby Via the M18 Panoramic views From the highest motorway In Britain Deep dales High Pennine peaks In Yorkshire Rain and sunshine Traffic build-ups In Blackburn Blues in Burnley Families fighting Four-pint pitchers Of foaming ale Mussels and whelks Oysters and orange squash Cockles and crabs People driving Dangerously long miles Without falling faint Of fatigue Passion in the Pennines The castle moat Golden sands Tilting telegraph poles Going up And coming down Steep steps To silver sand Shorelines stretching As far as the eye Can see Whirling wind turbines Whitewashed windmills Scattered over the Northwest frontier Unfurled flags Flying furiously In a westerly wind Cod and curry sauce Pen'orth o'scraps And pots of mushy peas Wrapped in writing Mablethorpe Messenger Blackpool Gazette Cotswold Courier Yesterday's news Today's chip wrappers Tomorrow's waste. Dusti Rodes (2006)