Voice To explore the belly of the beast, Is to die for what you believe in. Countervoice: Explore the mouth of a dog, Finding nothing, move on. I implore a decision by partisan. Voice: As if I were to run ashore autistic, Circumventing a sky of no direction, Upon sunken ship of squalid condition. I prepare for no blockade partition, No handkerchief can adopt misdirection, So no thief can hold a cloth of gold. Countervoice: Mention again of the god-dog. Who sits at the feet of us all. Sub servant religious dogma, Poverty being stomping ground, If man is to answer a challenge, Who is to call him down?
Voice 3: Forgive and forget, Tear and set, Vie and vet, Live and let. Yet, This I forgive? I will not set my own bones, I wish to ride stone to Set. Ptolemaic as it may be, I pray for death. Voice 2: I pray for rain, Simple as it may seem, It delays the contrary, It is all it should be. Love as loved same, Wish not for pain, Wish for the gods to delay it. Fish not for enemy graves, Fish for a handshake sentient. Voice 3: The bastard dies regardless. King, czar of inaction ardent.
Voice 1: Voice 3 best friend. Not a yes man but extremely loyal. Voice 2: Wife of voice 3. Frail and cautious, loyal. Voice 3: First protagonist, rival of the first antagonist, husband of voice 2. Cautious but extremely loyal, very wealthy, especially in comparison to his friends. Initially friendly with voice 5 until the death of voice 4. Voice 4: Brother of voice 1, good friend of voice 3. Foolhardy and Quick to fight. Voice 5: King of a very small kingdom. Comparable wealth to voice 3. Foolhardy and loyal. Voice 6: Wife of voice 5, secretly the main antagonist, posing as a frail woman. Voice 7: Second husband and lover of voice 6. Regretful and contemplative, but loyal and easily manipulated. Voice 8: Antagonistic philosopher who uses his inherited fortune to travel and does as he wishes. Disloyal yet foolhardy and quick to fight. Voice 9: Right hand man of voice 8, foolish and easily manipulated by voice 8 and his false philosophy. Extremely polite and intelligent on his own, but loyal to his friends foremost in front of them.
Voice 6: Who plays Beethoven upon my door? Truly he be hooven and poor morally, For a husband just died in my arms. Knock not or at least form formally, For normally impatience is paid poor. Voice 7 (whispers): Quickly. Voice 6 answers the door abruptly. Voice 6: You were not to arrive until morning! There we could consummate cordially, Declaring our love in the afternoon; Could it be you interrupt my mourning, Because you could not go without me, And thus arrived in story too soon. Voice 7: I may have come too soon, But not over you, my love, Never have I had such pain. I request to have it again, For I feel such remorse, No man should be slain, Lest by hand of a horse. Voice 6: Quiet, Guards hear the whining of dogs, Horses not led by hand but by emotion? Worker of ideals, concepts and notions, Walking upon my silken floor in clogs; If disgust in yourself is your only sin, Can disgrace be upon an innocent facade?
Voice 6: Voice 5: Impart not, depart impassioned. Skirt not around the main subject, Constrict yourself within contract, Remain slack, what remains lacks. Often gold is only plated brass. Voice 6: Massive injuries cost my crawl, A future gone, Even barring expectation, I could bawl tragic. Should Atlas drop the ball, Just expecting God catch it? I want no tricks nor magic. Voice 4: There shall be no magic, silly tricks or dancing, Only men upon a battlefield. Some dead, some laughing. For if you could take a life, I could take a life. Only without procrastinating. I will bring a squire only, No men will hold you down, Assuming no-one eviscerates me, only father shall go to town, my final wish being a canary.
ACT I: The brother of the first protagonist challenges the first antagonist to a duel, during which the wife of the first antagonist interferes on the battle causing the brother of the first protagonist to be slain. The right hand man of the first protagonist slays the first antagonist in revenge, during which the wife of the first antagonist flees. The right hand man of the first protagonist is injured, and takes a much longer period to reach home than the wife of the first antagonist. The wife of the first antagonist spread false rumors of cheating on the side of the brother of the first protagonist, and takes a secret lover as her new husband. ACT II: A long period passes and the first protagonist agrees to battle both the first antagonists wife and her new husband, who looks to regain the honor of his small kingdom against the wealth and influence of the wealthy protagonist. During the battle, a man who looks alike to the first protagonist (second antagonist) shows up and watches over the battle as the first protagonist slays both the first antagonists' wife and her husband. As he celebrates his victory, the second antagonist slays the first protagonist with an arrow, and his right hand man disposes of the bodies. ACT III: A short period passes with no word of a victor on either side and the wife of the first protagonist has a breakdown, and she dies just before her husbands funeral. During the ceremony the second antagonist shows up and declares that he is alive, and had just fallen into a river during their battle after slaying them both. A great celebration is held in his honor during which he does not question where his wife is until the right hand man of the first protagonist mentions it, which raises his suspicions. The Right Hand Man of the first protagonist is demoted whole the right hand man of the second antagonist is promoted. ACT IV: The second protagonist (RHM of the first protagonist) attempts to gain evidence against the second antagonist, however, the second antagonist falls ill and dies. The second protagonist gains evidence of the truth at the second protagonists funeral, but chooses not to reveal the sensitive information, and instead plans to slay the right hand man of the second antagonist, although he has reached a high ranking position since his arrival, especially as his name was left a large inheritance by the second antagonist.
Voice 1: I may ask a question of nonsense, However I ask not philosophical, Practically, cannot we heed, We merely speculate, sight unseen. Anointing of the dyke absurd, Fools searching to search of, What poignancy is a question like, What is strife? Why not question, what is life? Voice 3: Life is currency of an institution, When I speak loud of retribution. We both die upon our war machine, Apropos closure for those supine. Solution besting additional convolution. Voice 1: Passing stars dull with light, So perhaps all fate is forever finite. And all twilight is then n'everlasting, Caste chaste over trivial happening, Casting themselves of classical tragedy, Without squalor or clothes raggedy, Hip stores looking to rewrite history. Voice 3: True, but I see no god protector. Contractors of the holy body, They are probably of nobody. Villains to die of destiny, Enemy of the true spectacular. Enemy not just of the vernacular, Binoculars or arbitrator. An enemy alike to a Reich betrayer.
Voice 6: No man plays sport with a god, Sans future sporting warts of frog. So can it be, in the course of wrong, Lies retort the support of a cause? Change lies about, but why bother? Energy costs in dollars, So am I to be in this world? Where there is no king under god, Nor a czar for the godless, Only flattened, artificial sod, Tragedy and rape for the goddess, Upon which we clap in full form. How am I to remorse, or reverse decision? Upon a world which would deny procession. In my opinion the wheels still turn. Minor character: I see. Minor character leaves.
Voice 2: If I tax not the husband, I laugh not upon the sun. I task not the daughter. I ask not of nonsense, but honor. To ask men of skill-set stoic, Who is the one to dance prophetic? They say skill-wise I circle cone, Shall I play so remarkably alone? When shall I finally wax poetic? Voice 3: Do not fret in worry, I fight a fool, truly. If we fight horseback steel, His men will have no drink, All ship that be shall sink, If they think upon the sea, I foresee not a shot upon me. I foresee not a shot upon my men. However, I foresee dead men of opposing color. A sea of red for a coward humble. Two dawns we march upon him, Squalid condition disregarded. An offer of an ultimatum: Convoluted death or instant slaughter.